ARTWORKS by topic
Sínthesis (o el descobriment de la mel)
Sínthesis (o el descobriment de la mel)

Sínthesis (o el descobriment de la mel) és una performance que reflexiona sobre l’espiritualitat contemporània.
Sínthesis és un esdeveniment performàtic en forma de trilogia, presentat com un retaule que es desplega en 3 parts. Aquesta acció está entesa com un ritus o com una litúrgia total i per tant no desenvolupa una acció argumental sino [...]

Post-Landscape (Meta-Media-Perception)
[lang_en]Post-Landscape (Meta-Media-Perception)[/lang_en][lang_es]Post-Paisaje (Meta-Media-Percepción)[/lang_es]

This installation is formed by a neon, a plant and a digital camera with video screen that reproduces the image of the plant in real time: no record, no memory, only perception. Moreover neon is connected to an oscillometric that increases and decreases the intensity of light on an ongoing basis, while each of the [...]

Apariciones
Apariciones

una lámina de agua cubre todo el espacio de la cueva devolviendo su reflejo perfecto y creando un espacio infinito sin principio ni fin. bajo la superfície del agua una constelación de leds de luz blanca esparcidos por una superfície de unos siete metros de diámetro en forma de círculo que se difumina por los [...]

Process Work Nº2 with Àngels Artigas
[lang_en]Process Work Nº2 with Àngels Artigas[/lang_en][lang_es]Process Work Nº2 con Àngels Artigas[/lang_es]

With the same idea as in the work Process Work No.1 we wanted to interact with the environment, rather than making a static work. Then we saw some horse excrements completely covered by white butterflies. The image hit us and wonders at the same time. Seing those delicate white butterflies all lying on the horse excrement so [...]

Open horizons for synthetic worlds
[lang_en]Open horizons for synthetic worlds[/lang_en][lang_es]Horizontes abiertos para mundos sintéticos[/lang_es]

The synthesis of everything with everything is not really an openness to new worlds, an open door to infinity?
Technique: Photograph   Year: 2008

Trajected Landscapes (Mouvance)
[lang_en]Trajected Landscapes (Mouvance)[/lang_en][lang_es]Paisajes trayectados (Mouvance)[/lang_es]

About trajection: The title refers to the concept of Trayección coined by the geographer Augustin Berque:
“Like all environmental things, the reality of an object is not only physical (or objective), or only mental (or subjective); is trajective.
This is a totally different thing to an unambiguous projection of mental representations on the physical environment, ie to [...]

Landscape in constant fluidity
[lang_en]Landscape in constant fluidity[/lang_en][lang_es]Paisaje en fluidez constante[/lang_es]

En este video no hay narrativa. La cadencia de sus imágenes repetidas una y otro vez infinitamente rememora el movimiento estático de la naturaleza con sus ciclos infinitos (primavera, verano, otoño, invierno…). Contemplarlo es en el fondo realizar un ejercicio de meditación zen (como la repetición de un mantra) que en su cadencia y reiteración [...]

Landscape (Neon)
[lang_en]Landscape (Neon)[/lang_en][lang_es]Paisaje (Neón)[/lang_es]

The word ‘landscape’ does not appearin spanish until XVII century and was used to designate the pictorial representation of nature. From there’s going to make reference to that piece of nature that we admire aesthetically. Therefore, the landscape is a cultural creation that is determined primarily by our gaze. This work thinks on the idea that [...]

Caos and Line (Saillagousse Line)
[lang_en]Caos and Line (Saillagousse Line)[/lang_en][lang_es]Caos and Line (Saillagousse Line)[/lang_es]
Post-Nature (Synthesis)
[lang_en]Post-Nature (Synthesis)[/lang_en][lang_es]Post-Nature (Síntesis)[/lang_es]

About the nature that come, about the landscape ahead. It is a synthesis, a meeting between man and nature … but perhaps we are not nature? Everything united.
Technique: Photograph   Year: 2008

Personal reiteration
[lang_en]Personal reiteration[/lang_en][lang_es]Reiteración personal[/lang_es]

Technique: Drawing     Year: 2007

Reiterations
[lang_en]Reiterations[/lang_en][lang_es]Reiteraciones[/lang_es]

La reiteración de una misma palabra o conjunto de palabras hace que se acabe desdibujando el significado de estas hasta convertirse más en una vibración, que en un significado, de este modo la mente puede ir vaciandose igual que la imagen de la palabra escrita va desapareciendo a medida que se superponen unas con otras.
Sobre los Mantra: “Etimológicamente, la palabra [...]

Horizon Line (Neon)
[lang_en]Horizon Line (Neon)[/lang_en][lang_es]Horizon Line (Neón)[/lang_es]

‘Horizon line (Neon)’ es una instalación que introduce al espectador en un estado de contemplación semejante al que se experimenta cuando estamos frente a un paisaje. Con un neón de 3,7 mts de largo se dibuja una línea horizontal que reproduce el horizonte a la vez que esta misma línea-neón va oscilando de intensidad de [...]

Mountain (Simultaneity - Two views)
[lang_en]Mountain (Simultaneity - Two views)[/lang_en][lang_es]Mountain (Simultaneity - Two views)[/lang_es]

Image of the outline of the Pech of Bugarach (France) seeing from two sides simultaneously.
Technique: Wall painting
Sizes: Diferent
Year: 2007

Facts, Sentences and Statements
[lang_en]Facts, Sentences and Statements[/lang_en][lang_es]Facts, Sentences and Statements[/lang_es]

Technique: Digital print on paper   Size: Various    Year: 2007

Illuminatio
[lang_en]Illuminatio[/lang_en][lang_es]Illuminatio[/lang_es]

Illuminatio consta de 7 momentos , estadios o “imágenes” que se desarrollan durante 21 minutos. Estos son: matriz, cosmos, encuentro, logos, hermenéutica, mística y reunión existencial. Estas gradaciones han sido tomadas de la filosofia de Eugenio Trias. Cada uno de estos se corresponde con un momento álgido dentro de este camino que vamos trazando durante nuestro deambular por [...]

Art is for brave, seasoned, unconcious or adventurers
[lang_en]Art is for brave, seasoned, unconcious or adventurers[/lang_en][lang_es]El Arte es para valientes, aguerridos, inconscientes o aventureros[/lang_es]

Put a pitbull at the entrance door of the gallery or artspace, and wait inside for the poeple to come. 
Technique: Performance Installation
Año: Project, 2006

 

Objecting words
[lang_en]Objecting words[/lang_en][lang_es]Objetar la palabra[/lang_es]

Technique: Metal leters    Size: 21 x 21 cm.   Year: 2006

The trascendence of image II
[lang_en]The trascendence of image II[/lang_en][lang_es]La trascendencia de la imagen II[/lang_es]

Ficha Técnica: Fotografía    Año: 2006

The trascendence of the image I
[lang_en]The trascendence of the image I[/lang_en][lang_es]La trascendencia de la imagen I[/lang_es]

Technique: Photo   Year: 2006

Hermeneutic Lessons - Hermeneutics Manual I
[lang_en]Hermeneutic Lessons - Hermeneutics Manual I[/lang_en][lang_es]Lecciones Hermenéuticas - Manual de Hermeneutica I[/lang_es]

Esta obra forma parte de la série Manual de Hermenéutica en la que se utiliza los libros como objetos en sí mismos. A través de la modificación de su forma se obren nuevas interpretaciones de su propio contenido. Así lo que transmite el mensaje ya no son sus palabras escritas sino el continente: el propio libro como [...]

Hermeneutic Exercices - Hermeneutics Manual II
[lang_en]Hermeneutic Exercices - Hermeneutics Manual II[/lang_en][lang_es]Ejercicios Hermenéuticos - Manual de Hermenéutica II[/lang_es]

Esta obra forma parte de la série Manual de Hermenéutica en la que se utiliza los libros como objetos en sí mismos. A través de la modificación de su forma se obren nuevas interpretaciones de su propio contenido. Así lo que transmite el mensaje ya no son sus palabras escritas sino el continente: el propio libro como [...]

Hermeneutic Speculations - Hermeneitic Manual III
[lang_en]Hermeneutic Speculations - Hermeneitic Manual III[/lang_en][lang_es]Especulaciones Hermenéuticas - Hermeneutic Manual III[/lang_es]

Esta obra forma parte de la série Manual de Hermenéutica en la que se utiliza los libros como objetos en sí mismos. A través de la modificación de su forma se obren nuevas interpretaciones de su propio contenido. Así lo que transmite el mensaje ya no son sus palabras escritas sino el continente: el propio libro como [...]

Trajected Landscapes
[lang_en]Trajected Landscapes[/lang_en][lang_es]Trajected Landscapes[/lang_es]

This work is part of the series of works on reiteration representing the same landscape repeating it on itself. The title refers to the concept of trajection coined by the geographer Augustin Berque:
“Like all environmental things, the reality of an object is not only physical (or objective), or only mental (or subjective); is trajective.
This is [...]

Human Heat (The nearness of you) II
[lang_en]Human Heat (The nearness of you) II[/lang_en][lang_es]Calor Humano (The nearness of you) II[/lang_es]

“There was a time when the unbridgeable distance with some people was directly proportional to the desire that generated in me, a desire that consumed everything that touched.”
Description: Series of images formed showing the effects of excess heat on some plastic puppets.
Technique: Photography   Size: 24 x 24 cm.   Year: 2006

Human Heat (The nearness of you) I
[lang_en]Human Heat (The nearness of you) I[/lang_en][lang_es]Calor Humano (The nearness of you) I[/lang_es]

“There was a time when the unbridgeable distance with some people was directly proportional to the desire that generated in me, a desire that consumed everything that touched.”
Description: Series of images formed showing the effects of excess heat on some plastic puppets.
Technique: Photograph   Size: 24 x 24 cm.   Year: 2006

Untitled
[lang_en]Untitled[/lang_en][lang_es]Sin título[/lang_es]

About the About Books series: This book is part of the series About Books in which I use books as objects in themselves. Through changing his shape it gives re-interpretations of their own content. What is transmitting the message are no longer their written words but the continent: the book as object.
Technique: Manipulated book   [...]

Atlas
[lang_en]Atlas[/lang_en][lang_es]Atlas[/lang_es]

Atlas is a thought on the symbolization of the territory from their representations with maps. With the gesture of wrinkles the paper meet again the relief, but original, at least evocative of the shapes of the territory referred to.
Technique: Wrinled atlas  Sizes: 62 x 46 cm.  Year: 2006

Golden Stone Nº2
[lang_en]Golden Stone Nº2[/lang_en][lang_es]Golden Stone Nº2[/lang_es]

Stone get golden with gold leaves in Lappenrantta (Finland). In 2001 I did the Golden Stone Nº1 in an Asturia’s clif .
Technique: Photo   Size: 50 x 70 cm.   Year: 2004

Process Work Nº1 with Àngels Artigas
[lang_en]Process Work Nº1 with Àngels Artigas[/lang_en][lang_es]Process Work Nº1 with Àngels Artigas[/lang_es]

This work consists in 3.263 balls of clay mixed with bird food. The intention was to work out a process in two ways: as degradation-evolution of the balls which malting with the the rain leave uncovered the food for the birds so that they fall to eat it, producing an interaction between the work and [...]

With compliments (Trying to build a new society)
[lang_en]With compliments (Trying to build a new society)[/lang_en][lang_es]With compliments (Trying to build a new society)[/lang_es]

Technique: Photos    Year: 2001

Golden Stone Nº1
[lang_en]Golden Stone Nº1[/lang_en][lang_es]Golden Stone Nº1[/lang_es]

Stone get golden with gold leaves in a Asturia’s clif. In 2004 I did the Golden Stone Nº2 in Lappenrantta (Finland).
Technique: Photo   Size: 50 x 70 cm.   Year: 2001

All my feelings
[lang_en]All my feelings[/lang_en][lang_es]All my feelings[/lang_es]

Necklace made with 400 sewing needles.
Technique: 400 Agujas, caja de madera y terciopelo  Sizes: 35 x 35 cm.  Year: 2001

Anima Mundi (Me as an animal)
[lang_en]Anima Mundi (Me as an animal)[/lang_en][lang_es]Anima Mundi (Me as an animal)[/lang_es]

This series of photographs was made for a project of a performance in Cap de Creus (Girona), which never took place. The performance consists in playing s piano from the sinrise until sunset.
Photos by Pep Mayugo  Technique: Color print on paper    Year: 1999

Baggage
[lang_en]Baggage[/lang_en][lang_es]Baggage[/lang_es]

About Autumn Diaries: This serie was created in 1997 and was the first series of works that were gathered under a common concept. Much of the works emerged spontaneously during the photo session of Baggage and then achieved a book-dossier reflecting my relationship with things and the world. In this book could be seen the [...]

Untitled (Suitcase and leaves)
[lang_en]Untitled (Suitcase and leaves)[/lang_en][lang_es]Sin título (Maleta y hojas)[/lang_es]

About Autumn Diaries: This serie was created in 1997 and was the first series of works that were gathered under a common concept. Much of the works emerged spontaneously during the photo session of Baggage and then achieved a book-dossier reflecting my relationship with things and the world. In this book could be seen the [...]

Keep it
[lang_en]Keep it[/lang_en][lang_es]Keep it[/lang_es]

About Autumn Diaries: This serie was created in 1997 and was the first series of works that were gathered under a common concept. Much of the works emerged spontaneously during the photo session of Baggage and then achieved a book-dossier reflecting my relationship with things and the world. In this book could be seen the [...]

How to turn a man in to a confortable armchair
[lang_en]How to turn a man in to a confortable armchair[/lang_en][lang_es]Como convertir un hombre en un confortable sofá[/lang_es]

About Autumn Diaries: This serie was created in 1997 and was the first series of works that were gathered under a common concept. Much of the works emerged spontaneously during the photo session of Baggage and then achieved a book-dossier reflecting my relationship with things and the world. In this book could be seen the [...]

Extended and Compressed Book
[lang_en]Extended and Compressed Book[/lang_en][lang_es]Extended and Compressed Book[/lang_es]

Extended and Compressed Book was my first work manipulating books. By modifing it I do what I call the ‘expanded objects‘ which are those objects that being manipulated their field of meanings is much more expanded than its own material status had. Generally these modifications are to change their shape without adding other materials outside [...]

CarpetBook
[lang_en]CarpetBook[/lang_en][lang_es]CarpetBook[/lang_es]

Autumn Diaries, created in 1997 was the first series of works that were gathered under a common concept. Much of the works emerged spontaneously during the photo session of Baggage and then achieved a book-dossier reflecting my relationship with things and the world. In this book could be seen the firsts ideas about the relationship [...]